Category Archives: Reviews

Wrapping the self in fantasy: Strange/Familiar, a new ‘autofictional’ play at the Gateway

By Liz Nicholls, 12thnight.ca In a telling moment in Strange/Familiar, a new play by Liam Monaghan, we see the protagonist open a suitcase. Liam, who shares a name with the playwright in this “autofictional play,” seems to have packed light: … Continue reading

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A cabaret, an opera, a comedy, thriller, a festival: yup, a weekend of theatre in Edmonton

By Liz Nicholls, 12thnight.ca For your weekend entertainment, Edmonton theatres are standing by, and you shouldn’t miss your chance. You could experience … … the reinvention of cabaret. For one thing, there’s nothing like getting the scoop first-hand. In his … Continue reading

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Sunday in the park with Greeks: Euripides’ Helen from Trunk Theatre, a review

By Liz Nicholls, 12thnight.ca Sometimes you just have to marvel at the adventurous chutzpah of Edmonton indie theatre. You just don’t expect to find yourself in a park on a sunny Sunday afternoon sitting in a lawn chair watching a … Continue reading

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A social media thriller, in a digital world that works on escalation: Subscribe or Like at Workshop West, a review

By Liz Nicholls, 12thnight.ca “Sometimes I wonder what’s real,” says Rachel, one half of the millennial couple in Subscribe Or Like. That invasive ambiguity digs an ever-deeper channel right through a relationship in this very tense, fascinating new play by … Continue reading

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‘Music without ego’: background music vs silence, a fierce battle in Listen Listen, a new Teatro comedy. A review

By Liz Nicholls, 12thnight.ca There is a quixotic premise that underscores Listen Listen, the new Elyne Quan comedy premiering in the Teatro Live season in a Belinda Cornish production. And it will make you smile. In a mall in 1986, … Continue reading

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The fascinating contradictions of Anahita’s Republic, a review

By Liz Nicholls, 12thnight.ca Anahita’s Republic is a thriller set in a mysterious world of concealed faces and shadows, secret agents, secret police, hidden agendas. That world is contemporary Iran. The playwriting duo of Hengameh E. Rice, one half Iranian … Continue reading

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The improbable magic of live: Flop! the improvised musical, a little review

By Liz Nicholls, 12thnight.ca Calling an improvised musical Flop! is like calling a plastic surgery practice Oops! or an aerial circus Thud!. It’s irresistible; you can’t not look. But then, it’s clearly impossible: making up an entire musical, with an … Continue reading

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The dark pathways to coming-of-age: Boy Trouble at Fringe Theatre, a review

By Liz Nicholls, 12thnight.ca The theatre is dim, lit with a barrage of come-hither text messages: “send a vid”, “wyd”, “join me and a couple buds”, “your cute”, “no pic no chat” “my truck?”. When the lights come up, you … Continue reading

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A new Canadian musical tells a Filipino story: Prison Dancer premieres at the Citadel. A review

By Liz Nicholls, 12thnight.ca A human sparkler stands before us, a queen with gorgeous chiffon wings, in prison orange. That’s prisoner Ruperto Poblador, aka Lola (played by the charismatic Julio Fuentes), onstage to reveal how she became an internet influencer … Continue reading

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An all-star weekend of choices in Edmonton theatre

By Liz Nicholls, 12thnight.ca An all-star weekend of choices in Edmonton theatre. Here’s a selection. •At the Citadel, First Métis Man of Odesa, created by and starring real-life husband and wife theatre artists Matthew MacKenzie and Mariya Khomutova, is a … Continue reading

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