Tag Archives: 12thnight.ca

Landing lightly on a shameful chapter in our history: Camping, a Fringe review

By Liz Nicholls, 12thnight.ca Camping (Vanta Group Outdoor Stage) Breathing life into our history onstage is the raison d’être of MAA and PAA Theatre. This little 35-minute play, by David Cheoros and his 10-year-old daughter Sophia Cheoros, alights on a … Continue reading

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A play date with … us: Merk du Solapocalypse, a Fringe review

By Liz Nicholls, 12thnight.ca Merk du Solapocalypse (Westbury Theatre) In this latest instalment of Dammitammy Productions’ loopy Merk du Soleil series, the twin concept goofy/giddy really comes into its own. There is no real way to explain the nutbar down-at-heel … Continue reading

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Cracking up, a black comedy about glueing ourselves together: The Man Who Fell To Pieces, a Fringe review

By Liz Nicholls, 12thnight.ca The Man Who Fell To Pieces (Garneau Theatre) The man we meet in this absurdist black comedy by the Belfast playwright Patrick O’Reilly has gone to pieces. Literally. He’s cracked up, and his body parts are … Continue reading

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A fizzy offshore reunion: Destination Wedding, a Fringe review

By Liz Nicholls, 12thnight.ca Destination Wedding (Westbury Theatre) Like the drinks at a tropical all-inclusive — where you have no serious cultural obligations except buying jewelry with seashells in it and having fun — the clues keep coming in this … Continue reading

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A collision of worlds and cultures: Chanzo, a Fringe review

By Liz Nicholls, 12thnight.ca Chanzo (Backstage Theatre) Guilt, grief, and responsibility, the enduring triple-crown of family dysfunction world-wide: that’s the emotional infrastructure of Chanzo. And since this new play from the Kenyan-Canadian playwright/ dramaturge Mūkonzi Mūsyoki, in a fluid mixture … Continue reading

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Burlesque meets accordian: Squeezebox Cabaret, a Fringe review

By Liz Nicholls, 12thnight.ca Squeezebox Cabaret (Garneau Theatre) “We wrote a song about COVID for you…. Just kidding.” There is some mesmerizingly kooky about a burlesque cabaret that’s presided over by a flamboyant accordionist, doing squeezebox covers of pop songs, … Continue reading

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The body-shaming knot unravelled, in a cunning little play: Woman Caught Unaware, a Fringe review

By Liz Nicholls, 12thnight.ca Woman Caught Unaware (Varscona Theatre) In this surprising, cunningly written little 2018 play by the Brit writer Annie Fox, an older woman (a woman of a certain age, the delicate way of saying over 50 and … Continue reading

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Celebrating the return of actors to the stage: Freewill’s Much Ado About Nothing, a Fringe review

By Liz Nicholls, 12thnight.ca Much Ado About Nothing (Freewill Shakespeare Festival on the Vanta Outdoor Stage) For the first time in a 32-summer history, the Freewill Shakespeare Festival has arrived at the Fringe — and it’s in runners, carrying a … Continue reading

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It’s Fringe Eve, the moment to consider intriguing prospects in a year to experiment

By Liz Nicholls, 12thnight.ca It’s Fringe Eve (the night the green onion fairy leaves a special stay-awake pill under your pillow). And lordie lordie, our giant summer alternative theatre extravaganza is turning 40. The big four-oh? During a pandemic? A … Continue reading

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Deafy at the Fringe: changing the landscape for Deaf theatre

By Liz Nicholls, 12thnight.ca It was one of those theatre collaborations that start, like so many others, at a closing night party in the wee hours (after copious drinks). And like so many set in Edmonton, it included the fateful … Continue reading

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