Tag Archives: Tiny Bear Jaws

Some things I learned at the Sterlings

By Liz Nicholls, 12thnight.ca Here are some things I learned at the sold-out 35th annual Sterling Awards bash Monday night, celebrating the season just past in Edmonton theatre. Written by April Banigan with co-hosts Matt Schuurman and Sue Goberdhan, directed by … Continue reading →

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And the 2022-2023 Sterling Awards go to …

By Liz Nicholls, 12thnight.ca The season on Edmonton stages was toasted live and in person Monday night at the 35th annual Sterling Awards gala, for the first time at Edmonton Fringe Theatre headquarters — directed by Kate Ryan and hosted … Continue reading →

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How the West was won: Gender? I Hardly Know Them at Expanse Fest, a little review

By Liz Nicholls, 12thnight.ca As their own song goes (you’ll have to imagine the ukulele accompaniment and the cheery tone), “Alberta’s tough for prairie queers.” But somehow, amazingly, they haven’t let this place, harsh, marginalizing, and right-sliding as it can … Continue reading →

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Expanse Fest is back to celebrate the body in motion

By Liz Nicholls, 12thnight.ca The 10-day movement arts festival that returns Thursday for an 19th annual edition starts with the body in motion. All bodies in motion. And then it expands. That’s Expanse, the nimble, elasticized (and well-named) festival of … Continue reading →

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2022: the year in Edmonton theatre, part 2

By Liz Nicholls, 12thnight.ca Here’s a small sampling, in no particular order, of assorted highlights from a year when live theatre on Edmonton stages rose to the occasion, and did what theatre can do best, conjure worlds through other eyes, … Continue reading →

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Spirits rise: revisiting the Edmonton theatre season, part two

By Liz Nicholls, 12thnight.ca Fever Land, according to that heartbreaking/ riotous comedy by which Teatro La Quindicina returned to live performance last fall, is the kingdom where your spirits rise, vivacity accelerates, and the gray clammy feeling of routine is … Continue reading →

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Celebrating the Edmonton theatre season that returned to live, part one

By Liz Nicholls, 12thnight.ca It began in some trepidation, cautiously, experimentally, with complicated logistics, under constant threat of delays and cancellations. But this was the season that live theatre actually returned to live and in-person. Yes, the pivot pivoted. We … Continue reading →

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Sexual assault, scorched earth, and the fire that burns: Smoke, a review

By Liz Nicholls, 12thnight.ca Smoke is both of the air and the earth. And so is Elena Belyea’s challenging and elusive play, getting its Edmonton premiere at Co*Lab in a Tiny Bear Jaws production with two casts.   Smoke is … Continue reading →

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Where there’s fire there’s … Smoke: assault, consent and gender in a play with two casts

By Liz Nicholls, 12thnight.ca In Smoke, getting its Edmonton premiere Thursday at Co*Lab, a woman opens her apartment door to discover that the past has showed up. Aiden’s -ex is there to confront her about allegations she’s made to a … Continue reading →

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‘Orchid, pause recording’: I Don’t Even Miss You, a Tiny Bear Jaws dance musical for a contactless world. A review.

By Liz Nicholls, 12thnight.ca If you think that the last two years have kicked the crap out of satire, think what they’ve done to speculative fiction. Or existential crises. With I Don’t Even Miss You, premiering in RISER Edmonton’s 2022 … Continue reading →

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