Category Archives: Reviews

Madcap and moving: The Margin of the Sky from Teatro, a Fringe review

Posted on August 15, 2022 by Liz Nicholls

The Margin of the Sky (Stage 11, Varscona Theatre) By Liz Nicholls, 12thnight.ca It’s somehow fitting that this 2003 Stewart Lemoine comedy about the mystery of inspiration and creation is revived by Teatro La Quindicina as the finale of their … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , , , | Comments Off on Madcap and moving: The Margin of the Sky from Teatro, a Fringe review

The affectionate speedy fun of Six Chick Flicks in 60 minutes, a Fringe review

Posted on August 15, 2022 by Liz Nicholls

Six Chick Flicks or a Legally Blonde Pretty Woman Dirty Danced on the Beaches while writing a Notebook on the Titanic (Stage 1, Westbury Theatre) By Liz Nicholls, 12thnight.ca If you’re under the impression that the term “chick flick” is … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , | Comments Off on The affectionate speedy fun of Six Chick Flicks in 60 minutes, a Fringe review

Playful and teasing, absurd and serious: White Guy On Stage Talking, a Fringe review

Posted on August 14, 2022 by Liz Nicholls

White Guy On Stage Talking (Stage 4, Walterdale Theatre) By Liz Nicholls, 12thnight.ca Surprise! Here’s an entertainingly hyperactive, inventive performance piece that takes live theatre at its word. C’mon, there’s is no known way to predict what will happen next … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , , | Comments Off on Playful and teasing, absurd and serious: White Guy On Stage Talking, a Fringe review

The quest for the inner goddess: Guys in Disguise’s Crack in the Mirror, a Fringe review

Posted on August 14, 2022 by Liz Nicholls

Crack in the Mirror (Stage 11, Varscona Theatre) By Liz Nicholls, 12thnight.ca In honour of their 35th year at the Fringe, Guys in Disguise, who cast their sharp-eyed long-lashed gaze on women’s roles, make a return to suburbia, the traditional … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , , , | Comments Off on The quest for the inner goddess: Guys in Disguise’s Crack in the Mirror, a Fringe review

Once upon a time, in a galaxy far far away: Fags in Space, a Fringe review

Posted on August 14, 2022 by Liz Nicholls

Fags in Space (Stage 4, Walterdale Theatre) By Liz Nicholls, 12thnight.ca Once upon a time, in a galaxy far far away, two gays messaged each other….  In this charmer of a rom-com by Liam Salmon, Luca and Todd (Sheldon Stockdale … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , , , | Comments Off on Once upon a time, in a galaxy far far away: Fags in Space, a Fringe review

Oh no! Bots have invaded theatre and they can do it: Plays By Bots, a Fringe review

Posted on August 13, 2022 by Liz Nicholls

Plays By Bots (Stage 7, Yardbird Suite) By Liz Nicholls, 12thnight.ca Welcome to the future. Crazy: Why did I choose to believe that, OK, bots might be able to do neurosurgery, repair Maseratis, host TV morning shows, but there are … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , | Comments Off on Oh no! Bots have invaded theatre and they can do it: Plays By Bots, a Fringe review

Putting the grit into dark comedy: Mules, a Fringe review

Posted on August 13, 2022 by Liz Nicholls

Mules (Stage 4, Walterdale Theatre) By Liz Nicholls, 12thnight.ca Mules, a tense and suspenseful two-hander by the actor/playwright team of Beth Graham and Daniela Vlaskalic (who starred in the 2006 premiere), puts the grit back into dark comedy. Its entry-level … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , | Comments Off on Putting the grit into dark comedy: Mules, a Fringe review

Epic in scale (and complication). Horror, mythology, folk tale, social satire in a new musical… The Erlking, a Fringe review

Posted on August 13, 2022 by Liz Nicholls

The Erlking (Stage 23, Strathcona High School) By Liz Nicholls, 12thnight.ca There’s a fascinating ambition about the mélange of horror, mythology, folk tale and social satire in this new musical (book, music, lyrics) by Chris Scott. In a small town … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , | Comments Off on Epic in scale (and complication). Horror, mythology, folk tale, social satire in a new musical… The Erlking, a Fringe review

A smart, fun, dark new ‘relationship’ musical: Conjoined, a Fringe review

Posted on August 13, 2022 by Liz Nicholls

Conjoined: A New Musical (Stage 13, Servus Theatre, La Cité francophone) By Liz Nicholls, 12thnight.ca There’s always someone to block your sun. And, be honest, wouldn’t your heart feel lighter, your spirits rise, your life be just better without that … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , | Comments Off on A smart, fun, dark new ‘relationship’ musical: Conjoined, a Fringe review

Creating ‘the impossible, mysterious sound’: The Hunchback Variations, a Fringe review

Posted on August 12, 2022 by Liz Nicholls

The Hunchback Variations (Stage 3, Studio Theatre) By Liz Nicholls, 12thnight.ca A curious pair arrives onstage at the start of this smart, touching, genuinely odd, sometimes trying two-hander comedy. “Good evening and welcome …” says the brisk, professionally genial guy … Continue reading →

Posted in Fringe 2022, Reviews | Tagged , , , , | Comments Off on Creating ‘the impossible, mysterious sound’: The Hunchback Variations, a Fringe review