Tag Archives: indigenous theatre

From a big bad dangerous world, to us: Evandalism, a surprising original at Fringe Theatre. A review

By Liz Nicholls, 12thnight.ca It wasn’t a promising start to a life: “a little Mexican Indian whose mom and dad didn’t want him.” The guy who stands before us, tattooed and smiling in front of a big magic board, is … Continue reading

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A life transformed by hip-hop: Evandalism opens the Fringe Theatre season

By Liz Nicholls, 12thnight.ca Henry Andrade (aka MC RedCloud) has a story. It’s personal, it’s dramatic, it’s hopeful, it crucially involves hip-hop. And, starting Friday on the Westbury stage, he’s sharing it from the stage in a one-man storytelling performance/show … Continue reading

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‘A space of possibility’: The Péhonán Series at the Fringe

By Liz Nicholls, 12thnight.ca The TeePee: there it stands, a striking 16-footer right in the heart of the Fringe, a tangible symbol of Indigenous presence at our summer festival of artists. Péhonán (Cree for gathering place, waiting place), last year’s … Continue reading

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Strangers on a train: the real-life story that inspired Omisimawiw, at Nextfest. Meet playwright Shyanne Duquette

By Liz Nicholls, 12thnight.ca Strangers on a train. Imagine the scene (with special thanks to the ETS): a young woman on the LRT, heading towards class at the university, notices another young woman on the LRT. There’s just something about … Continue reading

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You can’t not discuss this one: As You Like It, A Radical Retelling is the first play at the New Roxy, a (very) short review

By Liz Nicholls, 12thnight.ca “Thus we may see … how the world wags.” — William Shakespeare, As You Like It, II, vii It’s bold. It’s ballsy, a genuinely provocative theatre experiment. And — here’s a 100 per cent guarantee — … Continue reading

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As You Like It, A Radical Retelling: lots of secrets about the first play to take the stage at Theatre Network’s new Roxy

By Liz Nicholls, 12thnight.ca “We know that the best, the truest, experience of Cliff Cardinal’s As You Like It, A Radical Retelling is to know as little as possible about it,” says Chris Abraham of the production that will be … Continue reading

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Reading the signs: The Herd premieres at the Citadel. A review.

By Liz Nicholls, 12thnight.ca The stage is dominated by a stunning screen — glowing, translucent,  undulating like the prairies, with a graceful open-work lattice (Indigenous Tiffany?). In The Herd the boundary between the present and the past, this world and other … Continue reading

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An Indigenous prophecy and a rare birth: The Herd premieres at the Citadel. Meet playwright Kenneth T. Williams

By Liz Nicholls, 12thnight.ca The Herd, premiering this week at the Citadel, is powered by the rarest of rare events: the birth of twin white buffalo calves on a First Nations ranch. It comes attached to a sacred Indigenous prophecy … Continue reading

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What? A land claim comedy? The surprising geniality of Cottagers and Indians at Shadow Theatre. A review

By Liz Nicholls, 12thnight.ca It’s no accident that the first sound you hear in Cottagers and Indians is laughter (with some accompaniment from amused birds).    The Drew Hayden Taylor play with the cheeky title that’s running in the Shadow … Continue reading

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‘Who were we before life got hold of us?’ Thoughts on Ayita at the SkirtsAfire festival

By Liz Nicholls, 12thnight.ca To walk into the Westbury Theatre these days is to find yourself in a world that’s mysterious but familiar, calm but in perpetual motion.  Whittyn Jason’s captivating design puts us in the centre of a wave … Continue reading

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