Author Archives: Liz Nicholls

Answering the siren call: Atlas Theatre’s Sirens, a Fringe review

Posted on August 21, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca Sirens (Stage 12, Varscona Theatre) It is understandable if the prospect of a comedy about a middle-aged couple off on an anniversary cruise to revive their stale marriage fills you with a certain dread. Even if … Continue reading →

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“Ludicrously entertaining” and at the heart of Fringehood: Gordon’s Big Bald Head, a guest 12thnight Fringe review by Todd Babiak

Posted on August 21, 2018 by Liz Nicholls

Gordon’s Big Bald Head: New World Hors d’oeuvres (Stage 12, Nordic Studio Theatre) It’s mysterious why Edmonton and its promotional machines have not sold the Fringe Festival more passionately outside the city’s borders. This local invention is the biggest and … Continue reading →

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The fun of deduction in the theatre: 2 Sherlock Holmes Mysteries, a guest 12thnight Fringe review by Alan Kellogg

Posted on August 21, 2018 by Liz Nicholls

2 Sherlock Holmes Mysteries (Stage 14, Holy Trinity Anglican Church) Don’t want to be a grouch, but among other things, the Fringe is supposed to be a theatre festival, remember? And sometimes it’s more than satisfying to simply witness a couple … Continue reading →

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Violent, sexy, shocking (and fun): Macbeth Muet, a Fringe review

Posted on August 21, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca Macbeth Muet (Stage 9, Telus Phone Museum) Imaginative, ingenious, startlingly powerful: that’s the high-impact 50-minute version of Shakespeare’s Macbeth delivered to us by Montreal’s La Fille du Laitier. In one way Macbeth Muet (mute), the co-creation … Continue reading →

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What is theatre all about? Stephanie Morin-Robert Performance Society: Bushel and Peck, a guest 12thnight review by Todd Babiak

Posted on August 20, 2018 by Liz Nicholls

Stephanie Morin-Robert Performance Society: Bushel and Peck (Stage 4, Academy at King Edward) Audiences can be so demanding. Before a piece of perfectly absurd performance art you can almost smell the question roasting in their brains: “What does it mean?” … Continue reading →

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“Peculiar and unusual beauty”: a unique “multi-threat talent” strikes again in Balls of Yarns. A guest 12thnight Fringe review by Alan Kellogg

Posted on August 20, 2018 by Liz Nicholls

Balls of Yarns (Stage 2, Backstage Theatre) Rummaging through my Fringe-necessary man-purse, I happened upon a small piece of blue yarn. I was about to huck it in my ever-bulging waste paper basket, when I stopped. It’s now safely draped over … Continue reading →

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Touching and tuneful: Sweethearts of the 49th, a guest 12thnight Fringe review by Alan Kellogg

Posted on August 20, 2018 by Liz Nicholls

Sweethearts of the 49th  (Stage 39, CKUA Performance Space, Jasper Ave. downtown Edmonton) With a provenance including the bright lights Andrea House (playwright), Davina Stewart (director) and Erik Mortimer (musical director) the chances are excellent that a smart and entertaining production … Continue reading →

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You’ll be swell, you’ll be great! Everything’s Coming Up Chickens, a Plain Janes revue. A Fringe review

Posted on August 20, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca Everything’s Coming Up Chickens: A Revue (Stage 12, Varscona Theatre) This highly entertaining revue is what happens when you let a company of musical theatre experts roam through their specialty repertoire (the odd, the neglected, the … Continue reading →

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Have you heard the one about… Punch Up, a FRINGE REVIEW

Posted on August 20, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca Punch Up (Stage 9, Telus Phone Museum) Punch Up is a classic joke set-up on legs. SO … The Most Pathetic Guy Ever kidnaps The Funniest Man Alive, so he can learn to make The Saddest … Continue reading →

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The acquisition of, well, in a word, joy! A Lesson in Brio, a Fringe review

Posted on August 19, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca A Lesson in Brio (Stage 12, Varscona Theatre) The verdict is out on whether charm or perfect pitch, any more than a first-rate digestion, can be learned. But Stewart Lemoine’s A Lesson Brio, very timely in … Continue reading →

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