Tag Archives: 12thnight.ca

The body-shaming knot unravelled, in a cunning little play: Woman Caught Unaware, a Fringe review

By Liz Nicholls, 12thnight.ca Woman Caught Unaware (Varscona Theatre) In this surprising, cunningly written little 2018 play by the Brit writer Annie Fox, an older woman (a woman of a certain age, the delicate way of saying over 50 and … Continue reading →

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Celebrating the return of actors to the stage: Freewill’s Much Ado About Nothing, a Fringe review

By Liz Nicholls, 12thnight.ca Much Ado About Nothing (Freewill Shakespeare Festival on the Vanta Outdoor Stage) For the first time in a 32-summer history, the Freewill Shakespeare Festival has arrived at the Fringe — and it’s in runners, carrying a … Continue reading →

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It’s Fringe Eve, the moment to consider intriguing prospects in a year to experiment

By Liz Nicholls, 12thnight.ca It’s Fringe Eve (the night the green onion fairy leaves a special stay-awake pill under your pillow). And lordie lordie, our giant summer alternative theatre extravaganza is turning 40. The big four-oh? During a pandemic? A … Continue reading →

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Deafy at the Fringe: changing the landscape for Deaf theatre

By Liz Nicholls, 12thnight.ca It was one of those theatre collaborations that start, like so many others, at a closing night party in the wee hours (after copious drinks). And like so many set in Edmonton, it included the fateful … Continue reading →

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Will goes fringing: Freewill Shakespeare Festival takes their resident playwright to the Fringe

By Liz Nicholls, 12thnight.ca For more than three decades, they’ve camped out in the river valley every summer with the world’s most famous playwright. And they’ve shown off their artist-in-residence in big full-bodied productions under the Heritage Amphitheatre canopy. For … Continue reading →

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A rom-com that opens a window onto our own history: Heaven, live at the Citadel. A review.

By Liz Nicholls, 12thnight.ca Silvery trees grow downward from above in Whittyn Jason’s evocative design for Heaven, the first production of the Citadel’s (socially distanced) return-to-live “summer season” after a year of constantly changing restrictions.    Someone up there in … Continue reading →

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Making real space: péhonán, a venue for Indigenous artists at the Fringe

By Liz Nicholls, 12thnight.ca The name, in Cree, means “meeting place.” That’s how Josh Languedoc explains pêhonân, the Fringe incarnation of the Roxy on Gateway (temporary home of Theatre Network). “And not just gathering…. It’s a waiting place that’s welcoming, … Continue reading →

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The Fringe returns to its experimental roots: tickets go on sale Wednesday at noon

By Liz Nicholls, 12thnight.ca The name of this year’s edition of the Edmonton Fringe is itself is a spirit-lifter, par excellence: Together We Fringe. It’s a salute to live gathering — in a nutshell exactly what we’ve been missing in … Continue reading →

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Together We Fringe: the second annual live Telethon happens Friday

By Liz Nicholls, 12thnight.ca Last year about this time, we were still reeling from the woulda/coulda been’s — and the heartbreak that the 39th annual Fringe was cancelled. That was a first. And so was the telethon that The Fringe … Continue reading →

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En route to Heaven (and Alberta’s Black history), live at the Citadel: meet star Helen Belay

By Liz Nicholls, 12thnight.ca Getting to Heaven was “a long, winding journey,” says Helen Belay. Belay is not only the star of the Cheryl Foggo play of that name starting its live run on the Citadel’s Shoctor stage Saturday. But … Continue reading →

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