Tag Archives: Conni Massing

All about the playwright: Workshop West celebrates the big 4-oh

By Liz Nicholls, 12thnight.ca It was not one of those storied red carpet openings, where everyone knows that history is being made and dresses accordingly. But then, what little Canadian theatre starts that way? Four decades ago, a sometime playwright/ … Continue reading

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Hanging our obsessions on the tannenbaum: Oh! Christmas Tree. A guest review by Todd Babiak

By Todd Babiak Those who love Christmas tend to have trouble empathizing with those who — for no solid religious or cultural reasons — don’t feel it. From Charlie Brown and The Grinch to Ebenezer Scrooge and the incontinent drunk … Continue reading

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The double-optic on Christmas: meet the real-life couple starring in Oh! Christmas Tree

By Liz Nicholls, 12thnight.ca If Lora Brovold and Collin Doyle, the real-life couple who star in Oh! Christmas Tree, have a special rapport with the characters in Conni Massing’s new comedy (opening Thursday at Theatre Network), it’s not surprising. They’ve … Continue reading

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To tree or not to tree, that is the question: Conni Massing’s new comedy Oh! Christmas Tree at the Roxy

By Liz Nicholls, 12thnight.ca In Oh! Christmas Tree, the new Conni Massing romantic comedy that opens Thursday at Theatre Network, a relationship is under extreme pressure. Is it money? Snoring? Musical tastes? Lunatic relativies? Whether to acquire a shitsu? No, … Continue reading

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Dreaming of home: Matara takes us to the zoo and a lone elephant, at Workshop West. A review.

By Liz Nicholls, 12thnight.ca “This is her home. And we are her family.”  That’s Karen the zookeeper (Elinor Holt) taking on protesters and talking about her charge, who’s big, exotic, fascinating — and languishing a world away from her ‘country … Continue reading

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“The elephant in the room is … an elephant.” Conni Massing’s Matara opens the Workshop West season

By Liz Nicholls, 12thnight.ca That not one but two new plays by Conni Massing are premiering this season is noteworthy. That they open a  mere two weeks apart, the work of two different theatre companies, is more striking still.    … Continue reading

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