Tag Archives: Edmonton theatre

Oh, what a knight: Two Good Knights at the Mayfield. A review

Posted on September 12, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca You know the songs. Heck, you can’t NOT know the songs. By now they’re in the collective DNA, and that much-abused term iconic doesn’t go amiss. Which is both a magnetic draw and a challenge for … Continue reading →

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The Tudor period: heads of state in wigs. 2 Queens & A Joker: A Fringe review

Posted on August 17, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca 2 Queens & A Joker (Stage 17, The Roxy on Gateway) It’s been a while (OK, a decade) since Guys in Disguise, those flamboyant cultural historians, applied themselves to the Tudor period, famous for its strong … Continue reading →

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The appropriation dance: Whiteface. A Fringe review

Posted on August 17, 2018 by Liz Nicholls

Whiteface (Stage 4, Academy at King Edward) By Liz Nicholls, 12thnight.ca “Is there a way out? Does anybody know a way out?” The masked figures trapped onstage are increasingly frantic. No suggestions are forthcoming. Masks are the chief theatrical device, … Continue reading →

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Shopping at Barbra’s place: Buyer & Cellar. A Fringe review

Posted on August 16, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca Buyer & Cellar, Stage 10 (Acacia Hall) It can’t possibly be true. And yet it is. Yes, Barbra Streisand, mega-star celebrity and über-shopper, does have an entire mall in her basement. That’s the bizarre, open-for-satire, real-life … Continue reading →

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Great moments in history … on balconies. Heather D. Swain stays home for her new Fringe show. A Fringe preview.

Posted on August 15, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca One evening two summers ago the veteran Fringe and Street artist Heather D. Swain was sitting on her Strathcona balcony having a cocktail with friends, watching The People go by. And that’s when it came to … Continue reading →

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When worlds collide: Chris Bullough is feeling the reverb in his new Rig Pig Fantasia. A Fringe preview

Posted on August 15, 2018 by Liz Nicholls

  By Liz Nicholls, 12thnight.ca “ Here I am,” sighs Chris Bullough wincing slightly over his de-caf last week. “An artist. My artistic career funded by oil. Questioning the ethics of oil production and use.”  His new play Rig Pig … Continue reading →

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A tale of two Fringe directors. Chapter 2: Michael Bradley

Posted on August 14, 2018 by Liz Nicholls

  By Liz Nicholls, 12thnight.ca A cultural theory: There’s a kind of crazy total-immersion charge about the Fringe that’s a magnet to Edmonton theatre artists. It explains why veteran Edmonton theatre pros — Bradley Moss, Trevor Schmidt, Darrin Hagen, Dave … Continue reading →

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A tale of two Fringe directors. Chapter 1: Suzie Martin

Posted on August 14, 2018 by Liz Nicholls

  By Liz Nicholls, 12thnight.ca A cultural theory: There’s a kind of crazy total-immersion charge about the Fringe that’s a magnet to Edmonton theatre artists. It explains why veteran Edmonton theatre pros — Bradley Moss, Darrin Hagen, Dave Horak, Trevor … Continue reading →

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The secret life of small towns: Michele Vance Hehir’s One Polaroid takes us back to Roseglen for the third of a trilogy. A Fringe preview.

Posted on August 13, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca She lives in a city (one where a great big 37-year-old Fringe starts Thursday). But small towns have always had a particular fascination for Michele Vance Hehir. The secrets both open and closed, the partial knowledge, … Continue reading →

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“Grotesque fun” with Shakespeare: Macbeth Muet and the return of Surreal SoReal. A Fringe preview

Posted on August 13, 2018 by Liz Nicholls

By Liz Nicholls, 12thnight.ca “Grotesque fun,” says Jon Lachlan Stewart. “There’s a lot of laughs in our production. And then there’s not….” He’s talking about Macbeth Muet, a 60-minute version of Shakespeare’s swift and brutal tragedy that dismisses every Forsooth … Continue reading →

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