Tag Archives: Mark Meer

Off the cuff and on the spot: Gordon’s Big Bald Head makes (up) a movie

By Liz Nicholls, 12thnight.ca Hey, tonight I was in the virtual audience at the Grindstone, i.e. the invisible sweatpants brigade online at home. And I was watching an amazingly dexterous improv duo onstage do, off the cuff, something that is … Continue reading

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Gordon’s Big Bald Head infiltrates movie history in Good Head, at the Grindstone

By Liz Nicholls, 12thnight.ca They are smart. And they are funny. But there is nothing cautious, or predictable, or even sane about the entertainment proposition that the deluxe improv troupe Gordon’s Big Bald Head offers the world. They own a … Continue reading

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A world of uncertainty: a playground for improv. Dungeons, Dragons, and Die-Nasty

By Liz Nicholls, 12thnight.ca In a world of uncertainty, improv makes perfect sense. It’s no coincidence that in a crisis, award-winning artists in this improv-crazy theatre town have stepped up to the challenge, and improvised new ways to take performance … Continue reading

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A brilliant solo tour de force: Fear and Loathing and Lovecraft. A guest Fringe review by Alan Kellogg

By Alan Kellogg Fear and Loathing and Lovecraft (Stage 13 (Old Strathcona Public Library) If there is a Fringe godhead, surely Mark Meer and P.J. Dawe are part of it, floating somewhere in the ether. Or perhaps….below, somewhere, in this … Continue reading

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Where the wild things fringe: what to see at the monster bash

By Liz Nicholls, 12thnight.ca Amazing but true: starting Thursday the Fringe, Edmonton’s favourite summer festival, is back — back in the theatre town where the continent’s fringe phenom began (and “fringe” was reinvented as a verb). Where The Wild Things … Continue reading

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Random thoughts and suggestions on Fringe opening day

By Liz Nicholls, 12thnight.ca In the ongoing quest to devise a fruitful plan of attack for seeing Fringe shows, one long-time theatre administrator I knew eliminated pre-festival anxiety (and also 99 per cent of her theatre-going activity) by her strict … Continue reading

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Leona Brausen plays Lady B: The Importance of Being Earnest at Teatro La Quindicina

By Liz Nicholls, 12thnight.ca There will be a moment this evening when an actor who has spent a great deal of time in her career providing perfectly vintage handbags to the casts of period comedies will get the ultimate pay-off. … Continue reading

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Fun with espionage: Our Man In Havana, a review

By Liz Nicholls, 12thnight.ca The turquoise paint is fading picturesquely, the shuttered windows are open, laundry is hanging, the light feels warm. Musica cubana is in the air. Batista’s Havana in the ‘50s — as conjured festively by designers Chantel … Continue reading

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Consulting the fortune teller at Teatro: let’s ask Mark Meer

By Liz Nicholls, 12thnight.ca It was a pungent, not to say eye-watering, debut. Fifteen years ago, an actor/improviser of expandable comic talents got enlisted by Teatro La Quindicina for a new screwball comedy. The play? Vidalia, named for the sweet, … Continue reading

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