Author Archives: Liz Nicholls

The dark mysteries of the world: Cat Walsh talks about her new play Do This In Memory Of Me

By Liz Nicholls, 12thnight.ca Death. Blood. Dark mysteries laced with eerie hints of the supernatural. A smudgy frontier between waking and dreaming, the ambiguous nature of reality, black comedy of the shivery sort…. This is Cat Walsh’s native habitat as … Continue reading →

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A musical window into a tragic world: Children of God, a review

By Liz Nicholls, 12thnight.ca    There have been musicals before now that explored the effects of bi-polar disorder, of bullying, of cultural imperialism and racism, of homophobia, of domestic abuse. Rodgers and Hammerstein’s Carousel is still controversial; it was written … Continue reading →

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The moment of truth for a country: Children of God, a musical about the ripple effect of residential schools

By Liz Nicholls, 12thnight.ca In the musical that opens at the Citadel Thursday, you’ll meet a smart kid with potential and hopes, a dreamer with a sense of possibility. And then school happens. You’ll meet Tom years later, in a … Continue reading →

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Romantic comedy turns spy thriller: The Romeo Initiative at SkirtsAfire

By Liz Nicholls, 12thnight.ca Against the odds, it’s happening. He’s been a little late in his entrance but your leading man has appeared, finally. Yes, you’ll star in your own romance, finally. Your footing on the terra firma of being … Continue reading →

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A diary, an inheritance, and a struggle come to life in Blood of Our Soil

By Liz Nicholls, 12thnight.ca “How can our land not be fertile when so much blood, both Ukrainian and foreign, has seeped into it?” Five years ago Lianna Makuch discovered a handwritten book that would have a seismic impact on her … Continue reading →

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Gimme gimme gimme … the past! How can I resist you? Mamma Mia! at the Citadel, a review

By Liz Nicholls, 12thnight.ca “We’ve done it all before, now we’re back to get some more….” Mamma Mia! There: you’re looking at two words that, just on sight, will weasel their way into your brain, and unlock an entire archive … Continue reading →

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Mamma Mia, here we go again! Meet director Ashlie Corcoran

By Liz Nicholls, 12thnight.ca You can dance, you can jive, having the time of your life… It is no surprise to find that the director of a certain big full-bodied jukebox musical — you may have heard of it — opening … Continue reading →

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A coming-of-age play called Métis Mutt comes of age: a review

By Liz Nicholls, 12thnight.ca It’s always started with jokes. A lot of jokes. “What do you call an Indian on a bike?” And since the man onstage is remembering his time as a teenage stand-up comic, empowered by audience laughter, … Continue reading →

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The Plain Janes get dizzy in Madrid: Women On The Verge Of A Nervous Breakdown. A review

By Liz Nicholls, 12thnight.ca “Welcome to the edge, the verge, the ledge….” sing five agitated women who find themselves thrown together, teetering crazily, in the Act I finale of the riotous musical screwball that the Plain Janes have brought to … Continue reading →

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The thorny issue of Consent: Concrete Theatre steps up

By Liz Nicholls, 12thnight.ca Was there consent? It’s the timeliest of questions — confusing, contentious, discussable. It’s the stuff of headlines. And it’s the raison d’être of Mieko Ouchi’s Consent, the play that Concrete Theatre has bravely been touring to … Continue reading →

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