Author Archives: Liz Nicholls

Two-Headed/ Half-Hearted: the twinned urge to be joined and apart in Northern Light Theatre’s new musical. A review

By Liz Nicholls, 12thnight.ca There they sit, motionless under a rosy moon, a two-headed prairie oracle atop a body wrapped in mystery.  They’re the centrepiece of an eerie altar: a bank of ghostly corn stalks, a gothic farmhouse facade, an … Continue reading

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As You Like It, A Radical Retelling: lots of secrets about the first play to take the stage at Theatre Network’s new Roxy

By Liz Nicholls, 12thnight.ca “We know that the best, the truest, experience of Cliff Cardinal’s As You Like It, A Radical Retelling is to know as little as possible about it,” says Chris Abraham of the production that will be … Continue reading

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Two-Headed/ Half-Hearted: sisterly bonding in a unique new musical at Northern Light Theatre

By Liz Nicholls, 12thnight.ca Sisters. You can’t live with ‘em and you can’t live without ‘em.  In the uniquely demanding new musical that premieres Friday, the finale of Northern Light Theatre’s 46th season, you will meet a pair of sisters … Continue reading

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Nostalgia in gold lamé: Mamma Mia! at the Mayfield, a review

By Liz Nicholls, 12thnight.ca The Mamma Mia! Effect, in a nutshell. Read the title, and a whole archive of hits instantly catapults into the centre of your mind as if they’d never left. And they lodge there for at least … Continue reading

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The doors open, Edmonton has a stunning new theatre … and Theatre Network is home: The Roxy

By Liz Nicholls, 12thnight.ca When Theatre Network opens the doors of the new Roxy on 124th St. this weekend, Edmonton will have a beautiful new $12 million theatre. Theatre Network has returned to the ‘hood after six years renting in … Continue reading

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‘It makes us vibrate, makes us feel’: The Power of the Drum from the Cuban Movements Dance Academy. A review

By Liz Nicholls, 12thnight.ca It’s no coincidence that Afro-Cuban drumming doesn’t involve drumsticks. It’s hands-on, literally and metaphorically. The power of the drum, as the show of that name onstage at the Westbury Theatre tells us, is that it shares … Continue reading

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Reading the signs: The Herd premieres at the Citadel. A review.

By Liz Nicholls, 12thnight.ca The stage is dominated by a stunning screen — glowing, translucent,  undulating like the prairies, with a graceful open-work lattice (Indigenous Tiffany?). In The Herd the boundary between the present and the past, this world and other … Continue reading

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The Power of the Drum, a dance theatre adventure into the spiritual heart of the Afro-Cuban experience

By Liz Nicholls, 12thnight.ca The show that opens Saturday on the Westbury stage takes us on a dance theatre adventure deep into the spiritual heart and traditions of the Afro-Cuban experience.  The Power of the Drum, a creation of the … Continue reading

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Jane Eyre lives in a haunted world: Erin Shields’ new adaptation at the Citadel. A review

By Liz Nicholls, 12thnight.ca The opening image of Jane Eyre, currently premiering on the Citadel’s Maclab stage through Sunday, is a solitary little girl reading in a pool of light, enclosed in space by blank window frames. The orphan heroine … Continue reading

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An Indigenous prophecy and a rare birth: The Herd premieres at the Citadel. Meet playwright Kenneth T. Williams

By Liz Nicholls, 12thnight.ca The Herd, premiering this week at the Citadel, is powered by the rarest of rare events: the birth of twin white buffalo calves on a First Nations ranch. It comes attached to a sacred Indigenous prophecy … Continue reading

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